A Woman Does Not Have To Wait
under the old
canal bridge, you said
so i can hear
the echoes
in your head
repeating mine
this time
when it throws
our voices from
roof into water
where i caught
her
reflection half
in half out of sunshine.
that’s when i
hear Gershwin
playing his
piano in you
working out the
notes
to rhapsody in
blue
that makes me
float
light and thin
deep within
through the air
when you put
your comforts there.
Waits was
drinking whisky from his bottle
while i sat through
old days with Aristotle
knowing i must
come up to date
because a woman
does not have to wait-
until my speech
and face is
naked like a
grockle
in those other
places
we are coming to
under the blue.
it isn’t much,
but all i have for us-
me, behind this
mask of mirrors.
This Theatre Of Show
i want to go
where love songs
grow,
on the radio
into someone's
heart.
i want to know
if i play too
slow,
and fade before
the glow
can flame and
spark.
i mend a dream,
distil it, to
mountains seen
through mind and
eyes potcheen,
lotioned by
loves mark;
with tongue
dabbing gleam
in fast flowing
stream
of sweet
nectarine
from sun up
through sun dark.
i want your glow
in the thoughts
i know,
before they dim
down low
and depart-
this theatre of
show
above and below,
where we all act
to know
our own part.
so many vines
in the times
i know,
grape, but fail
to flower.
i taste their
wine
in its
summertime,
but show
i am just a
shower.
The Mess of
Thrown Off Clothes
i listen
to your love
beads glisten
in the flotsam
of my room-
we make them
from samurai
sword folds
at forge and
loom
in the mess of
thrown off clothes.
so many smoke me
kisses
at portal doors,
and mithril
wishes
on primitive
floors-
take us back
again
through heath
and fen
to imitate
lost landscape-
cycle
and circle
sky and stone
outside and
home-
in love in less
with your
heavenliness,
and loneliness
durable under
duress.
Pomegranate Flesh
ask those
who grow old-
some fruits are
nicer
when they're
riper.
you don't stop
the clock
on the one who
chose
you to hold-
her pomegranate
is still your
sonnet
of sepia
feelings and flesh,
sensuously sweet
and fresh.
although the
mirror never lies,
it shows the
beauty that lives
as it dies
and gives
its own
reflection
of your perfection
to me
then and now,
each memory
taken
by the lenses
somehow,
preserved
by your words
and curves
in my senses.
our dance,
that thrilled
in its intricate
tango on the
floor,
is still filled
with time
intimate
romance
and more-
talking rubicon
of reason,
in layer, upon
layer of season
so sedimentary
since you
entered me-
and i consumed
your silky mesh
of pink perfumed
pomegranate
flesh.
When You Came In
the air
tore into shreds
around our heads
in the room
when you came
in.
bare
words
flew out of your
chair
like accusing,
hysterical birds
and pecked at my
plume
of silence
spitting vile
violence.
i wore the
harness
of your darkness
and pulled its
load
of false truth
behind my youth-
you told me i
was old
and i lost a
tooth.
in the scene,
that cut the cable,
while we both
sat at the table
in the garden-
love's sour
jasmine
drooped,
poisoned in its
ruined roots,
then you wept to
me
and went to him
tears
trailing,
years
jading,
fading
beauty
again.
that was there.
that was then.
a solar flare
of raven hair
around its star,
last light more
magnificent than most,
close
but far.
STRIDER MARCUS JONES
STRIDER MARCUS JONES – is a poet, law
graduate and former civil servant from Salford, England with proud Celtic roots
in Ireland and Wales. He is the editor and publisher of Lothlorien Poetry
Journal https://lothlorienpoetryjournal.blogspot.com/. A member of The Poetry
Society, his five published books of poetry
https://stridermarcusjonespoetry.wordpress.com/ reveal a maverick, moving
between cities, playing his saxophone in smoky rooms. His poetry has been published in numerous
publications including: Dreich Magazine; The Racket Journal; Trouvaille Review;
dyst Literary Journal; Impspired Magazine; Melbourne Culture Corner; Literary
Yard Journal; The Honest Ulsterman; Poppy Road Review; The Galway Review; Cajun
Mutt Press; Rusty Truck Magazine; Rye Whiskey Review; Deep Water Literary
Journal; The Huffington Post USA; The Stray Branch Literary Magazine; Crack The
Spine Literary Magazine; A New Ulster; The Lampeter Review; Panoplyzine Poetry Magazine and Dissident Voice.
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