MARIAN DZIWISZ
TO THE
POETS OF MY COUNTRY
To you
who have preached truth, beauty
and
concern for the fate of every human being
upholding
FREEDOM, EQUALITY,
FRATERNITY,
COMMUNITY
a
lasting memory,
writing
in the relay of generations.
Miłosz's
"It"[1]
On The 110th Anniversary
Of His Birth
"It" is
taboo - a sacred place.
It hides in the
depths of us.
Like the flame in
the depths of a candle,
which a spark
brings out.
"It" -
the sensation of our senses,
"It" -
there are images in our memory,
which are there,
but you keep silent about them,
because you lack
the courage
to expose
yourself to the world,
to show
"that" which torments you,
Well, because
it's not appropriate,
Well, because
it's not appropriate,
because of
political correctness
or the
"conscience clause"
forbid talking
about "it",
which you are
ashamed to hide.
About the fact
that you love the earth too much,
the one that has
always been close to you:
the rivers, the
footbridges and the valley,
where the frogs
leap;
That you made
love to a girl
although you did
not marry her;
that you saw your
own people
- During the war,
they cornered a Jew in town
and handed him
over to the gendarmes.
But when the
frost covered your head,
when you gained
fame in the world,
you broke through
the "wall of silence"
and as in a holy
confession
"It"
like a bone, hidden in the flesh,
you brought out
from the depths of yourself
You threw it to
them to devour,
who neither
plough nor sow,
But for the "THAT" they absolve.
[1] in response to Bishop
Tadeusz Pieronek's criticism of the content of the volume of Czesław Miłosz's
poems "TO", published by "ZNAK" in 2000.
Awakening
Conscience
Cyprian Kamil Norwid
On The 300th Anniversary
Of His Birth
You loved that
which is not just a thought
nor a phantom,
but abides in the living flesh,
or in cold stone
and above all,
the simple man,
who bends down at
the workshop or in the field
in the fruits of
his labour seeing the resurrection.
You had the
courage to proclaim bitter truths
- to proclaim
them and, living in poverty, not to beg or ask.
In spite of the
philosophers who claim
that wisdom and
beauty are born of wonder
- to reign and
play,
You boldly said:
"The core of the world is the world - and
that's it",
It is born of longing
for what is loved
and in poetry,
music, wood or stone
finds a home
hence you
perceived, in what Chopin played farewell:
- everything he
longed for, because he loved:
"...Poland,
from the zenith
of the perfection
of history
Taken, with a
rainbow of rapture - -
Poland - of all
the world's great shadows'.
Concerned about
the fate of humanity, you knew,
that "the work of History is not yet
finished,
The globe not yet
burned with conscience".
and still some
tyrant from the path of freedom
Turns us all back
- does not feed us with bread
but with fear -
fenced off
- by a wall of
words and stones.
To those who were
concerned
- for the
salvation of the soul, you also challenged,
to:
"Not behind
yourself with the Saviour's cross,
but to follow the
Saviour with the cross". - to follow,
For "This is
the secret of the righteous movement..."
And after though
centuries have passed still alive is
- your teaching.
Answer To 'The
Message Of Mr Cogito’
Zbigniew
Herbert
I do as you
command:
Every day I look
in the mirror
my clownish face
and I see nothing
in it
of Gilgamesh,
Hector or Roland.
Indeed, I have
not been chosen.
I have been
classed as "inferior",
because I don't
take your word for it,
because I can't
applaud,
get down on my
knees and face.
I love the spring
of dawn,
flowers in the
meadow and people
- without
distinction, though it happens
I don't accept
their words
or actions.
I do not wait for
punishment or reward,
but for a kind
smile
and perhaps still
-
for a small trace
in my memory.
Is this too much!
I go on thinking
to love, work and live
and if you have
to shout in the streets.
Enough?
In memory of Wisława
Szymborska
I was just
walking
Through the paths
of the cemetery
and standing by
the grave
I took out an
electronic brain from my briefcase,
to reflect on
Szymborska's fate
- for a moment
[1}.
I understood
You died as much
as necessary, without measure
leaving a broken whisper - poetry [2].
Although the days
of creation have passed
of a world in
which you bound time
with a chain of
signs
whatever has been
created exists
by Your constant
command[3]
and its laws are
clear
though sometimes
hidden behind a cloud of irony
or melancholic
reverie
shone through
with the sun of good-naturedness,
where joy, though
not joy
almost does not
fall down.
Having swallowed
fish in the river of Heraclitus
you fed them with
the bread of words
and you released
them into the same river, no longer the same.
And now you are
resting, happy with the happiness
of the questions
you asked.
©Copyright by Marian
Dziwisz
[1] Wisława Szymborska:
Tombstone [from the volume Salt 1962].
[2] Autonomy
3] The Joy of Writing [from the volume Wiersze wybrane [Selected Poems] 1964].
MARIAN DZIWISZ
MARIAN DZIWISZ b. 1943 in the village of Michałowice near Kraków. He graduated from the Primary School in Wola Zachariaszowska; Little Theological Seminary of the XX Missionaries in Krakow (1961). He completed his Polish studies at the Pedagogical University in Krakow (1966, currently the Pedagogical University) and a PhD in philosophy in the field of philosophy (1980). He was the editor and secretary of the editorial board of: socio-cultural monthly magazines: "ZDANIE"; "LITERARY AND ARTISTIC WRITING" and "FORMUM OF THOUGHT FREE" in Krakow; assistant professor at the Institute of Teacher Education of ODN in Krakow; a Polish language teacher in high schools and technical schools; lecturer of philosophy at Krakow universities. He debuted with poems in Nowa Wieś (1978). He published his poems, among others in the pages of: "Zdania", "Okolic", "Pisma Literacko-Artystyczny" until 1990. His output includes volumes of poetry, among others "Ergo sum" 2007, "Madonna" 2011, "Categorical Imperative" 2014 [available at the Jagiellonian Library], in the years 2015 - 2017 three volumes of the story "Semper in altum - Always up" at LSW. He has published: a series of articles in scientific and socio-cultural journals. Since 2020, at the invitation of Thadddeus Hutyra, Konrad Stawiarski and Marija Najhefer, Popov has been publishing his poems and essays on the websites of national and international Poetry Groups.
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