ESTER CECERE
THE SKIN IS A DRESS
The skin is a dress.
When it is pale and by ephelis
spotted
it is worn among Nordic fiords,
it smells of high snow firs,
it is painted by boreal colors.
Mediterranean people
put on the olive dress.
It reminds superb olive trees,
the dry and bare countryside,
lizards in sheltered recesses.
Some people wear the amber dress
which sometimes may also be
brownish.
It is sprayed of desert sand by
Ghibli.
It is sprinkled by air drops from
atolls.
It is spattered by temple red
sandstone.
Many persons use the black dress.
It may be shiny or mat on the face.
It is brightened by white pearls.
It is inspired to precious ebony.
It is suitable to yellow savannas.
It is suitable to superb holy
baobab.
The dress always protects
rippling or weak muscles,
networks of cartilages and tendons,
the same maze of veins
which convey the blood to the
heart.
Blood is always red.
Tears are always salty.
Whatever the dress color is.
(from “Non vedo, non sento e…” (“I do not see, I do not
hear and...”)
WIP Ed., Bari, 2017)
TELL ME GOD, ANSWER ME ALLAH
Tell me God,
who is right?
Answer Allah,
where is the wrong?
Is it perhaps in the motionless
faces
whitened by dusty rubble of unaware
children?
Is it perhaps in the astonished
faces
by red lines marked of innocent
creatures?
Explain to me God,
what is an ethnic group?
Tell me Allah,
why is there so much hate?
It’s huge the absurdity
of a feud which bleeds
for so young cut down livings
that even the death
has difficulty to bring with it.
(from “Non vedo, non sento e…” (“I do not see, I do not
hear and...”) WIP Ed., Bari, 2017)
THE SCREAM
Tears corrode the marble heart
like acid does.
In the desert of grief
the petrified soul
is silent.
Only mind’s shout
shatters the still silence.
(from: “Burrasche e Brezze” (“Storms and Breezes”), Il
Filo, Rome, 2010)
ESTER CECERE
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