JOHN
GREY
January On The Maine Coast
Along the rocky coast,
houses huddle
in hunchback hills
of scrub pine,
scattered here and there
like stationary flocks
or wisps of green cloud
drifting in place.
Now and again,
the contour allows for a beach
between cliffs of outcropping,
a thin strand of sand
that barely knows it’s there.
The weather’s bitter.
Only one man is out in it.
His head burrows into wind
as he trudges his way forward
on that beach.
Exercise or plain foolery,
I don’t know what drives him.
Maybe commune with nature.
Or madness near freezing.
Unlike a crowd,
I can make room for him,
in memory, on paper.
He’s just what I am looking for,
as I peer out the cottage window.
The scenery, his presence,
are words in waiting.
I write landscape in large quantities
but people in small helpings.
The Screams Of Children
After a drop from a suspension bridge,
Emma sank through the river’s slow current
to a bed of pebbles and sand.
But slowly the waters puffed her up
until she weighed less than the big stone
she imagined herself to be,
drifted o the surface, then started
a slow journey downstream.
She didn’t make it all the way to the bay,
but fell in with some rocks and reeds,
near where some schoolkids, on a field trip,
were digging about for the kinds of tiny lives
that would make their chaperone teachers proud.
But that wonder of discovery gave
way to sudden shock as one of them
accidently touched a pale white hand.
Hello, I’m Emma, said the face that rippled
up at them. I was just like you once.
I figured if I filled up my jar with dirty water
and tadpoles, that only good things would
happen to me. I’d be loved by everybody.
I’d be welcome wherever I set foot.
I’m sorry to tell you this but it didn’t happen.
Life is shit. Those little critters have it better
than you.
Those kids never stopped screaming and sobbing.
It could have been the sight of Emma’s dead body.
It could have been what she said to them.
Ten
It was that innocent age
when girls were more
cypher than symbol.
Even my sisters
were neither beautiful nor ugly,
dull or interesting.
At best, they were nonentities.
At worst, in the way.
A girl was a whole other being.
They took refuge in each other,
had no spit in them,
were incapable of play.
There was no gazing in their direction.
Not then.
They were barely noticed in passing.
In class,
their arms shot up first
in answer to a question.
I’d know the answer,
but kept my hand on the desk.
In my first generous act
towards the fairer sex,
I gave them the satisfaction.
She Takes The Photo Down
From The Mantel
The photograph
is scratched,
blurry in parts,
but a treasure
to the trembling hands
holding it up to my gaze.
It was taken
in the nineteen thirties,
on the steps of the old house,
but new back then.
Just as the couple are new,
happy no doubt
despite the grim expressions.
It’s the only picture
she has of him,
she tells me.
Such a lilt to her voice
when she says it.
Time may pass
but it never gets old.
My Sitting
Then she gave me blue but not for my looks.
It was for the heart, the guitar, my fingers.
I thought her green would suit the vase
but no she said, I've a soul that needs a
more appropriate hue -right now, it's too white
for its own good. She gifted me purple
in patches, for no other reason that her good
nature.
And she sent me yellow — bright and sun-like for
the mind
not so I'd chicken out
at the first sign of her palette.
She took the black meant for my shadow
and had a shirt made from it. It fit me well.
Then came orange to swallow and red to bypass
lips,
go straight for the words. When she was done with
me
I felt colorful though somewhat abstract.
Still, I struck quite a pose,
was surprised she got it all on canvas.
JOHN GREY
JOHN GREY is an Australian poet, US resident,
recently published in Orbis, Dalhousie Review and the Round Table. Latest
books, “Leaves On Pages” and “Memory Outside The Head” are available through
Amazon.
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