Like Cigarette Paper
My poor mother
"La Daniela"
As they called
her at the Casa de los Picos
In the capital
of Segovia
Where mothers
and children took refuge
In the
fratricidal war in Spain
While their
husbands were
In the war
between rocks
Bunkers and
trenches
In the
Guadarrama mountain range
Particularly in
its port
Where at the
foot of the lion monument
Placed in the
center of the road
Symbolizing
royal power
And its
strategic value
For the defense
of Madrid
Between the two
sides
And its
connection between Madrid and Castile
The nationalists
and republicans met
To arrange,
during their breaks from war
On weekends
Going down to
the brothels of the capital
To have sex with
fascists or militiawomen
Drawing lots to
see who would be saved
In the war, once
again, on Mondays, begun
While the women
suffered and cried
To try to get
ahead to her children
While her men
fought "to the death."
"La
Daniela" with five daughters no less
She had no help
but that of the King of Heaven
"Who gave
her health and protection"
As she herself
said
And confidence
in seeing her husband arrive victorious
From the Cabeza
Lijar lookout
Having prepared
his carnal furrow of love
For his
long-awaited plow
Confidant that
it was true that he was a saint
One of the few
who hadn't come down to Madrid
To let off steam
with the street-walking whores.
One day, when
"La Daniela" and her daughters
Along with other
women and children
Were near the
chapel of El Carmen
In San Rafael,
Segovia
Praying to the
Virgin
That her husband
would arrive safe and sound
She saw herself
weeping with joy
Seeing her
husband mounted on his horse
Tired, but
happy, victorious.
She signaled to
him, called him.
The hermitage
bells ringing
The town was all
excited
She and her
daughters running to congratulate him
Promising him
that today he would have his field
Open to all his
passion of love
Although to his
fellow women
He would have
commented:
-That, because
of my husband
My vagina was
like a cigarette paper
Still suffering
well and a beauty
To Daniel, my
love.
Missionary In Peten
A woman devoted
to saints
Of Easter
candles and Mass incense
Praised the Lord
Because she had
a body
Worthy of merit
That had already
been hinted at
More than once
The parish
priest in confession:
-My daughter,
what's wrong with you?
-A fever, Father
That pierces my
heart.
-Do you want me
to kill you a bird
Of those you
raise at home?
-Yes, kill it
for me, Father
When I left my
skirt
And pull down my
panties.
This woman had a
seven-year-old son
Devoted to that
priest
Of whom he
became an altar boy.
In a winery
owned by his mother
The boy invited
him to try
A local wine.
The priest got
drunk
From this cool
wine
Telling the boy,
half-drunk:
-If your mother
doesn't change her mind
I want to enjoy
your pretty little ass.
-By Saint
Isidore!
The boy replied
furiously.
I don't want
your clapper to ring
On my little
ass.
Are you
starving, Father?
Having so many
bigots
Who, for a
little money from the collection box
They will give
you some of their chicken.
-You're bad,
son.
-No, I'm worse,
Father.
If you come down
with me, Father
To the back of
the cellar
You'll see the
wine rack we have
And the best
wine to taste.
First, the
priest started down.
Behind, the boy.
He grabbed a
chair
Breaking three
of his ribs.
He grabbed a
club
Knocking off his
mustache.
He tore his
member out by the roots
And gave it to a
bat
Which carried it
by the beak
To the Hermitage
of the Sovereign Virgin.
In the
Archbishopric
After a while
Without any news
of him
Presuming he was
missing
They reported
that perhaps
He had left as a
missionary
To El Petén in
the Republic of Guatemala
Up to his tricks
on Flores Island
And Santa Elena de la Cruz.
Secrets Of Erection
That tyrants,
genocidaires, and serial killers
Are always erect
Is a truth as
big as a temple.
That gurus,
friars, and priests
Have it elevated
to the Lord
Is a reality
that, in victory or submission
They place
demons and sins.
This is how we
read and see it
In dictators who
rely on their cocks
To commit truly
obscene actions
That cause so
much harm around the globe:
Gaza, Syria,
Yemen, Afghanistan
Guantanamo,
Ukraine, El Salvador.
If our ancestors
Made sacrifices
to Mars, Jupiter, Saturn
To the Sun and
the Moon
To Satan,
"the most beautiful bastard"
Today, our
rulers
Sacrifice human
beings, attack them, and kill them
As if they were
masterless dogs
On the altar of
hatred and repression.
Thanks to their
erection
The capitalists,
the traffickers of dreams
And arms
factories
Rejoice seeing
the earth
Is flooded with
their joy and spermatozoa.
-Let the whole
world sing joyfully, they exclaim:
A genocidal and
a fascist dictator
Have been
reborn; they can be heard by their clamor
And by the loud
noise they make
By braying, no,
by speaking
For they are
illiterate beyond salvation.
From a tree came
a monkey
From a monkey
creation came to us humans.
Death will never
be defeated
For death
attracts death
When humanity
shares in its victory or defeat.
Eternal novelty!
Ha, ha, ha.
Death has not
lost its sting.
From his fly as
he stands up, erect
This gives man
new life
To be conceived
in those cunts
Bounty of
defeated love
And glory among
asses turned
Into an
expiatory sacrifice
Of lustful
slavery.
That peace
reigns among men
Is a great lie
For death walks
beside us
Joyfully waiting
For our last
ejaculation in the banquet hall
Full of murdered
guests
Or killed in the
back
Who celebrate
the tyrant, the genocidal
The serial
killer
Always erect.
DANIEL DE CULLA
DANIEL DE CULLA: Writer, poet, painter
and photographer. Member of the Collegiate Association of Spanish Writers,
Earthly Writers International Caucus, Poets of the World, (IA) International
Authors, Surrealism Art, Friends of The Blake Society, Nietzsche Circle and
others. Director of Gallo Tricolor Review and Robespierre Review. He has
participated in numerous Poetry and Theater Festivals, has collaborated and
collaborates with various magazines and newspapers such as: Otoliths; The Stray
Branch, Down in the Dirt Magazine, Allien Buddha Zine, The Poet Magazine,
Uppagus, ReSite, GloMag, Fleas on the Dog, LAROLA, RAL'M, Misery Tourism,
Leavings, The Creative Zine, Terror House Press; and other national ones: Pluma
y Tintero, Letras de Parnaso, Revista Azahar, Cultura de Veracruz;
Vericuetos, Sol Cultural Center, etc.

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