A Season For Living
I’d always loved
flowers.
You helped me
surround myself
with them
to bring me joy.
I would like to
lie in my garden
in the mist of
the soft sweet-smelling mist
of them
for ever.
But everything
has it’s time,
its time to
live,
and its time to
die
and only the
flowers
will bloom
eternally
each in its
season.
This is my
season for living
and it’s now
that I need them.
When I’m dead I
won’t see them on my grave,
won’t know that
you’ve brought them for me
won’t know if
you haven’t,
or care.
The flowers you
carry
in that season
should be for you,
for all of you
that I left behind
and all of you
still to come.
Don’t let them
die
for me.
Nobody wants
dead flowers,
least of all,
dead people.
Living The Dream
'To sleep
perchance to dream'.
That’s what he
said.
Sounded so
gentle,
but there was a
rub,
a rough edge to
this escape
and I will not
accept
that long
deathly sleep,
that would see
me float
away for ever.
But I will
escape,
I have dreams
which can take
me anywhere
and take you
with me,
take you to
places you haven't been
and may not want
to go.
Send us
spinning,
tumbling,
raging,
spiralling,
crashing
out of control
to an
indeterminate end
which you cannot
control,
but then,
neither can I.
Perhaps daytime
dreaming is preferable,
more gentle than
it sounds
fitted into a
busy schedule.
In wakeful
dreams
I can determine
the beginning,
at least,
and invite the
participants.
Sometimes
they may act out
an old story
with a
predictable end.
Sometimes
they can write a
new story
which I enjoy
and then
I bring it to
life.
Time Passes
Snowflakes lit
by sunbeams
blowing gently,
fragile as
shadows
making rainbows
in the fiery light
then softening
as the fire fades.
Becoming softer
for a time.
But time passes.
Catch them
quickly in your hair
they're already
harder now,
even though the
sun
is glistening
still
bright as fire
forging jewels,
crunchy crystals
shining harshly
like diamonds
while the
sunlight lasts.
But time passes
It’s cooler now
as
the light starts
fading.
The surface is
giving way to ice
losing it's
warmth.
And we're
skidding,
sliding
beyond control.
slipping away,
blinded now by
tears of ice.
Genocide Joe
Genocide Joe
is strutting
his stuff
arming the
strong
condemning the
weak
with
no army
no navy
no airforce
no voice
their little’s
too much
for Genocide
Joe.
Power feeds
power
and though
number four
amongst Masters
of War
it’s not high
enough
for kind Uncle
Joe.
Still not enough
to face children
alone
and families
fleeing terror
their rhythms
destroyed
as bombs make a
carpet
of what once
were homes.
The tanks crush
out lives
there’s no where
to go,
no where to hide
for the starved
and the maimed
and it’s still
not enough
for Genocide
Joe.
Armed to the
gums
their neighbours
afraid
helpless and
hating
and hate
breeding more
and more hate
breeds power
for the fear of
today is the might of tomorrow.
Some history is
made by these Masters of War
and more history
is made by new Masters of War
and both the
living and dead will judge Genocide Joe.
Ground Force Gaza
This poem is an
update.
I wish it
wasn’t.
The original was
written in 2014.
I didn’t expect
to write a sequel,
but here we are
again.
One hour to
leave
carrying what
you can
knowing
everything you love
will be
destroyed
behind you.
Who could do
this?
People could not
do it.
Could not do the
things they did.
Soldiers.
Things in
uniform obeying orders,
yes sir no
sir-ing their way into oblivion.
They could do
it.
They would do
anything, if told to.
Humanity
suspended or cuckooed.
Killing
machines, destroyers of dreams,
burying them in
the rubble with the bits.
With the bits of
bodies,
the hands and
the feet,
the breasts and
the balls.
Things in
uniform.
Daleks of death.
They could do
it.
Maybe if enough
things die
they will stop
their slaughter.
Maybe if enough
things die
they will become
extinct
like the dodo,
the stuff of
legend
like the
unicorn.
I hope so.
LYNN WHITE
LYNN WHITE LIVES in north Wales. Her
work is influenced by issues of social justice and events, places and people
she has known or imagined. She is especially interested in exploring the
boundaries of dream, fantasy and reality. She has been nominated for a Pushcart
Prize, Best of the Net and a Rhysling Award. Her poetry has appeared in many
publications including: Consequence Journal, Firewords, Capsule Stories,
Gyroscope Review, Blue Pepper, Arachne Press and So It Goes.
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