VIDYA SHANKAR
DIE TO LIVE
It is because of Death,
I live.
A seed I was when I began my first
song,
Snuggled in a protective watery
bed,
The first few words I wrote with
webbed fingers,
Slight, undistinguished and hardly
spread.
But as I felt my mother’s tender
caress,
My song grew into perceptible
roundedness,
The wrinkly tissues delicately
smoothed out
And trepidation grew to
wonderfulness.
But when I stretched myself to sing
lustily,
The waterbed broke, my mother
laboured with pain.
The song then had to end, I had to
die a little
And with lyrics new upon my lips, I
was born again.
My song this time an exuberant
rhythm,
Girlish giggles and childlike
chatter,
Swirling skirts a melody around
dainty feet,
And eyes expressing the delight of
pigtails splatter.
The outré versed a romantic refrain
A bejeweled bride in blushing
blooms,
My eyes aglow with love’s fantasies
As cheeks a crimson kiss consumes.
But the sunny script was soon
fading out
The scroll ended, and so did the
brightness,
A snuffed out candle I was, a-dying
There was no more singing, only
slightness.
Struggling tones of mature lyrics
From heart to hearth, themes of
womanhood,
Shallow in pith, lines of survival
instincts,
No more dances, only livelihood.
The song, it came out in a rasp
A suffocation of stagnant tale,
As day moved on into another day,
Yet sang I my song of patient
travail.
Till Death suddenly one day came a
knocking
And bade me abandon the raucous
organ.
Glad was I to die with this wheezy
song
So I could rise again for a brand
new edition.
Finally I have begun this verse
anew
That the Motherly Muse fondly
dictates,
The simple verses flourishing into
grand octaves,
A progressive crescendo happiness
pulsates.
This joyous melody has no death,
Only life to tell a grateful epic
tale,
An everlasting one, eternal as the
soul,
Omnipresent, the ballad of the
Divine nightingale.
I AM
I looked at the void ahead
A wrinkled brow contorting my
pretty face.
I pulled myself together, tried to
gauge the darkness,
And prayed for the Sun to show up.
There wasn't darkness yet around
where I stood,
But there... up ahead,
Was nothing but gloom.
I moved on,
Had to, with Time.
There wasn't darkness yet around
where I stood,
But I could still see, up ahead,
Only gloom.
What if Night engulfed me?
Should I stop, turn away, or turn
around?
What would I need as talisman to
keep me safe
in my journey through the ominous
darkness?
And so the questions surged.
Oh, Govinda!* Where are you?
Why don't you show up?
There wasn't darkness yet around
where I stood,
But there... up ahead,
was nothing but Gloom.
Govinda never came.
Bracing myself to face Fear of the
Unknown,
I took a deep breath and willed my
mind
to Silence.
Not a moment too soon,
For in that Quiet I heard assuring
notes...
Krishnamurari!** The Flautist!
Comforted, I paused, and inhaled
deeply again.
Hey, wasn't this where I had
thought
The impending dark Fear was?
But there was no darkness around
where I stood...
Only light!
I saw Light. Light smiled down at
me...
Ghanashyama!*** Sundara!****
So, hadn't I moved at all?
I had, with Time, jostled along
But always in dread of an adversity
I feared
Would snatch my Happiness away.
I had moved on a great way with
Time,
And not once had I faced night
around wherever I stood!
So, what was that dark cloud
hovering around me
Time through Time?
Meghashyama***** smiled...
And I felt foolish for not having
perceived Him.
But He took me into the fold
Of His strong arms in a tight
embrace,
Placed His warm lips upon my
quivering ones,
And merged me unto Himself.
I had prayed for Govinda to show up
But I had failed to perceive
Vibhavasu's****** light and warmth
Around me!
This beautiful, soft, comforting
Luminescence that brought gladness
To all who came into its enfold was
surely
Sunshine!!!
I saw Sunshine now...
I felt Sunshine, I was in
Sunshine...
The source of all Love...
The source of all Love?
I looked around, then I looked
within me... Sunshine!
I am... Sunshine!
Parasmai Jyotish!*******
*Govinda: (here) a name that one can
call out to for succour in times of distress
Krishnamurari**: the dark-complexioned
Lord (Krishna) who pleases all with His flute (murari)
Ghanashyama*** : dark (Shyama) heaven
or sky (ghan)
Sundara****: the beautiful one
Meghashyama*****: Krishna whose
complexion is as dark as a cloud (megha) heavy with rain
Vibhavasu******: One in whom radiance
(vibha) dwells; (vasu) sun
Parasmai Jyotish*******: The Supreme
(Parasmai) Light (Jyotish)
OF PINK FLOWERS AND BLUE HEARTS
She sent me a pink flower,
And I sent her a blue heart
In reply.
Will you, she texted me, write
A poem on my pink flower?
Lost for words, I sent her,
Not one, but three flowers, pink.
Who said pink flowers have no
fragrance?
And blue hearts beat not with love?
VIDYA SHANKAR
Ms VIDYA SHANKAR, Indian
poet, writer, blogger, motivational speaker, mindfulness practitioner, and yoga
enthusiast, has been into English language teaching, instructional designing,
and content development for more than two decades. An active member of poetry
circles, her poetry has appeared in literary magazines and platforms such as
GloMag, Setu, Storizen, StoryMirror, Spillwords and WRITE (Sri Lanka). She had
been a regular contributor for the column 'Short Take' published in 'The Gulf Today', a
Sharjah-based newspaper, an engagement that lasted for more than five years. Her
first book, 'The Flautist of Brindaranyam', an anthology of 12 poems published
in December 2017, was a collaborative effort with her photographer husband, Shankar
Ramakrishnan. She also maintains a blog 'The Quintessential Word'.
Lovely Vidya. Die To Live is an annotation on life. Get going ahead.
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