My Indochina
Like the
slanting eyes of my Indochina,
I mark them
under your forehead
the flight of
the stars and dragons,
I write them
deeply for you
on the cheeks,
stomach, groin
the rice fields,
the famine on the islands,
the clouds are
heavy before the rains,
the monsoons
flow through your mouth,
you will hate me
for it one day;
hands of silk
makers,
eyes in love
with the tears of the cotton,
your pores are
open and they know
the meaning of
the silence;
a handful of
rare spices mixed before morning,
you see-here
there are the ships of Rimbaud,
float calmly
through the green of the field,
now you already
deeply believe in everything:
sorrow has seven
names, nine faces
and only one
sign to commemorate it,
the world does
not have eight sides,
nor exact
measurements
about the
existence of minutes and seconds,
life is born
when the stars stand still,
beyond visible
air movement,
the body makes
love twice, once with the passions,
you breathe like
the change of moon menus,
your wrists
infallibly remember
- I passionately
wrote history on your skin,
with your
breathing you rewrite it on the space,
the possessed
rounds of opium smoke
on those maps
they show it, quite precisely
your desire to
kill me, big and wet
like the
slanting eyes of my Indochina.
Blue Sadness
There is a
sadness that follows me.
A blue sadness.
She follows my
step, sniffs my shadow.
It colors my
vision when I look at the sky.
So I believe
it's always blue.
It convinces me
that it smells
like a forgotten
summer.
I line up shells
and pebbles
to make a wall
between us.
She makes a
window with
her thin fingers
and says
"do you
want to play hide and seek?"
One sadness, one
blue sadness.
It never leaves
me.
She turn the
pages of the books I read.
She sits with me
and drinks coffee.
Sniffs with a
measure, sighs loudly:
"It always
tastes better when it's bitter!"
Talks. She asks
questions
and doesn't wait
for answers.
She believes she
knows everything.
That sadness.
That blue sadness.
Round and full.
Soft and comfortable.
She runs
excitedly like
in a children's
chase. She blushes.
Sometimes she is
embarrassed,
and then she is
silent.
At the end of
the day,
she knocks
tiredly on the threshold
and no longer
has the strength
to go inside.
Then I give her
a sympathetic hug
and she finally
disappears.
"Don't
worry, I say, you will be born again."
The Journey
(to my father)
The room is cold
and gray.
The bed floats
in the middle
and you lie in
it sunk in silence.
I'm holding your
hand so they don't sail away
your short sighs
between two breaths.
The gentle smile
of the nurse tells me:
'He doesn't know
you. He doesn't remember anything.'
I keep silent
while with an invisible wave of my hand
I arrange them
around his head
the first word
spoken, the first step,
the first
slamming of the door,
the last 'I'm
leaving, leave me alone.'
I am silent,
while I sit dressed in the most beautiful dress,
with neat hair
gathered in a bow.
'He doesn't even
know you're here' -
she tells me
with the same meekness and warmth.
She tries to
land like a light feather over my sadness.
I am silent. How
can I tell her that neither is he.
His smile has
been traveling for a long time.
His step passed
the walls of the room.
He crossed the
silver, moon-river,
stands tall and
handsome as ever,
he laughs at me
and waves from the other side.
SILVANA DIMITRIEVSKA
SILVANA DIMITRIEVSKA is graduated
philologist and journalist. She was the coordinator of the literary circle
'Mugri' and the editor of the poetry almanac of the same name. She is
represented in the Anthology of recent Macedonian poetry for young people
Purpurni izvori by Suzana V. Spasovska, the anthology One Hundred and One
Poems, edited by famous Macedonian poetess Svetlana Hristova Jocic, the
collection of poetry and short prose by young people from the former Yugoslav
territories Manuscript 30. Silvana writes poetry, short prose, essays and haiku
verses. She is the author of the anthology Angels with five wings, published as
part of Struga evenings of poetry. She appears as a reviewer of several
collections of poetry by young authors. She is the winner of the second and
third 'Blaze Koneski' prize for a scientific essay. For her first collection of
poetry, “You, who came out of a song”, she won the prestige national 'Aco
Karamanov' award. For her short story 'Butterfly Skirt' he won the first prize
of the contest 'I tell a photo 2021' announced by the Holocaust Fund of the
Jews of Macedonia. This year, she won several national and international awards
and recognitions.
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