The Solitary Art
I’m reading all
this poetry.
It’s poets who,
even when
other people are
around,
all that comes
across
is their
solitude.
They’re at a
family gathering
where
everybody’s bragging
about how well
they’re doing.
But off in a
corner
with some uncle
poking them in
the chest
and assailing
them with a stiff, loud,
“when are you
going to get a real job.”
Or they’re with
a woman
up in their
apartment,
the romance is
on track,
but then the
talk turns
to the future,
making a life
together,
and the room
fades,
the woman
shrinks down to nothingness
and they’re as
alone
as Robinson
Crusoe
before Friday
entered the picture.
In nature, of
course,
they’re the odd
one out.
In childhood,
they’re isolated
by the fact
that nobody
understands them.
Which brings me
to myself,
here, in an
otherwise empty house,
and reading all
this poetry.
These poets
preach to a lonely choir.
Dealing With It
Five years back,
the telephone woke me around eleven
at night, and my
trembling fingers somehow managed
to lift the
receiver, press it to my ear.
Before that
call, prior to Ellen's car-crash,
my world wasn’t
so complex, a solid core with a fuzziness
around the
edges, composed of people I knew, strangers I didn’t.
But in the
sweaty July aftermath,
I gravitated to
friends, cursed the Almighty,
took on the role
of the permanently aggrieved.
But, in reality,
I was okay, unharmed.
Sure, recalling
that time, I prefer
the idea of a
huge disruption to my being,
a rip a mile
long from head to toe,
an internal
bleeding that couldn’t be explained
in terms of
blood.
That situation I
see now as a line in my life’s sand,
beginning of its
latest stage. It has not been
a pumped-up,
getting-of-wisdom-of-age time,
more like a
realization as to who and how I am
at any given
moment.
Like a fall from
half-way up a mountain,
feeling for
broken bones, looking for bruises,
at an emotional
ground-zero.
I confess that I
have been making up how I should feel
as I’ve gone
along, concocting a creed
in an attempt to
waylay any guilt I might have
over letting
Ellen go, not feeling sorry enough.
Tuesday night as
I was nibbling left-over pizza
and
spot-checking old photographs, I succumbed to
the true mood of
the moment - it was more than chilly,
but frozen and
solid so, in a bid to thaw,
I started
humming the tune - our tune.
To The Wife Of A Pioneer
There’s a lot of
Hawkeye in me.
I could live in
a forest.
At least, if I
didn’t have this need
for three square
meals a day
and a
comfortable bed.
I’m an
adventurer at heart.
Wild animals
don’t bother me.
Except at night.
And any hour
when it’s wolves or bears.
I’m a man of
nature.
I can deal with
the solitude.
Besides who’s
alone
amidst all these
lush green trees?
Other than
another
lush green tree
that is?
I must admit
they’re of little use
when you need
someone to talk to.
If I was as much
Daniel Boone
in mind and body
as I am in
dreams,
then you
wouldn’t see me
for years on
end.
I’d be out there
in the wilderness.
Not hunkered
down
in this cozy
home.
Just be grateful
that who I am
has a ways to go
before I’m who I
imagine myself to be.
At least, be as
grateful as I am.
JOHN GREY
JOHN GREY: Is an Australian poet, US resident,
recently published in New World Writing, River And South and Tenth Muse. Latest
books, “Subject Matters”,” Between Two Fires” and “Covert” are available
through Amazon. Work upcoming in Paterson Literary Review, White Wall Review
and Cantos.

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