The Beginnings Of Existence
Before the first
dawn,
before the
memory of light,
silence floated
upon a sleep without end.
There were no
names for the sky or the earth,
no distance
between darkness and eternity,
and no witness
except the waiting void.
The universe was
a closed eye dreaming of itself,
unaware that
dreams could one day become matter and life.
Then something
stirred within the depths of the unseen—
a trembling
breath, a hidden pulse awakening in the unknown.
Light burst
forth like a secret finally revealed,
and darkness
scattered through endless corridors.
Stars were born
from the fire of collision and longing,
and galaxies
revolved slowly like prayers learning how to move.
Time unfolded
its ancient wings and stretched across the newborn heavens, measuring the
distance between beginning and becoming.
The oceans
gathered their first reflections,
mountains rose
from the slumber of stone,
and rain
descended upon a world still learning the sound of its own voice.
Then humanity
appeared—fragile and astonished—
carrying
questions greater than the sky itself.
Why does
existence breathe?
Who placed
wonder within the human heart?
Why does the
soul continue its search even after touching the light?
The wind
whispered in reply:
"All
creation is a melody still unfinished."
And the rivers
answered in their silver echoes:
"Every
living being is a fragment of the first miracle."
As for the
stars, silent in their eternal distance,
they continue to
burn like thoughts within the mind of infinity.
And since that
moment,
the universe has
never ceased to expand,
nor has the
human spirit ceased to journey.
We are still
walking through the first morning of creation,
gathering sparks
from the ashes of mystery,
striving to
understand why existence chose to blossom
rather than
remain asleep forever.
At The Edge Of Ashes
On the brink of
longing,
I turn my face
within the wind of questions,
and plant in my
chest a star that disciplines my darkness.
Who will restore
to the lovers
their pulse lost
between the ribs?
And who will
awaken the flute
if it sleeps in
the palm of its player?
I walk upon the
ruins of my days
as though I were
the last traveler toward meaning,
guided by the
flutter of a heart
that still
believes light
emerges from the
seam of wounds.
O you who
revolve in the orbit of visions,
slow down a
little
the houses you
abandoned
still hang your
name
upon the lashes
of dawn.
The doves guard
your shadow,
and the trees,
when they bend,
whisper the
secrets of lovers.
Whenever I
loosened the hair of my soul,
words ripened
upon my lips,
and the sun
shattered
into droplets of
prayer.
Peace be upon me
on the day stone
grows harsh against the flower,
and the voice of
reproach rises
like a storm in
the chest of the sea.
Her image leaves
me,
and the letters
leave their harbors;
my sanctuary
becomes a void
where my name
echoes.
O love, mystic
in my blood,
take me to you
as incense is
taken to its fire;
blend my breath
with hers
until distance
itself
becomes a bridge
of light.
It is enough for
me—my madness—
when I write my
trembling,
and plant within
my ashes a new branch,
perhaps it will
sway
if her shadow
passes
through the
grove of the heart.
TAGHRID BOU MERHI
TAGHRID BOU MERHI IS a
Lebanese-Brazilian poet, journalist, and translator. Her pen carries the echoes
of multiple cultures, and her writing is infused with a profound humanistic
spirit. Born in Lebanon, she currently lives in the city of Foz do Iguaçu in
Brazil, after having moved through several cultural stations, most notably
eight years in Italy and two years in Switzerland, where she absorbed the
richness of European culture and added a universal human dimension to her Arab
literary heritage. She writes poetry, prose, articles, and academic studies,
and is fluent in six languages: Arabic, English, French, Italian, Portuguese,
and Spanish. This makes her one of the rare writers who move between languages
and cultures with the lightness of a butterfly and the depth of a philosopher. To
date, she has published 23 authored books and translated 51 books from multiple
languages into Arabic and vice versa. She has also contributed to more than 550
Arabic and international anthologies. Her works have been translated into 49
languages, reflecting the global reach of her poetic and human voice. Taghrid
Bou Merhi serves as Head of Translation Departments in several Arabic and
international magazines. She is also the President of Ciesart Lebanon and holds
honorary literary positions in international cultural organizations. She is an
international poetry judge and an active participant in global literary
festivals and cultural events. She has received dozens of awards in translation
and literary creativity, and is considered one of the most prominent Arab
female literary figures in the diaspora

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