Thursday, July 1, 2021







JULY 2021

NILAVRONILL: Why do literature and poetry in particular interest you so much? Please give us some idea about your own perception of literature or poetry in general.


ROMANESCU SALOMEEA:  It is encrypted on my DNA from my father and from my last passed life, when I was a talented poet from Mexico. This was the motivation to study Philology and also foreign languages and litterateurs, at the deepest structure. My soul is happy when I creat in all arts not only in poetry. I like to give life to all my poem, to interpret them, to sing them and paint them, I also dance using the melodies inspired by my poems. I am in love with all arts in an integrated manner. I study literature 10 years at University, I understood his role for society modulation.



NILAVRONILL: How do you relate your own self existence with your literary life in one hand, and the time around you, in the other.


ROMANESCU SALOMEEA: I study astrology and other spiritual practices and I discovered that I also was Newton in other life and this was the impulse  to study cosmology, spirituality, alchemy and caustic Physics to be able to create a new integrative theory of knowledge that brings together the ethics, natural sciences, social sciences, applied sciences and world view that leads to the creation of an international system able to create peace by Unity and Love. So my poetic creation is also dedicated to the theory of everything, my scientific creation on the field of International Relations and European Integration is also dedicated to this integrative theory, my practice in the field of quantum medicine and reiki, cosmo-humanism. Plasmatic science put together science and spirituality in explanation of reality. Vedanta is also a source of inspiration for my work and creation as was for scientists like Nikolas Tesla and Einstein. We are a whole, this is my message of my live started from my name given to me, which means peace. So the aim of my life is to create peace on the blue planet, to create also happiness of the soul of Humanity and of the Planet using Science of the Soul explained in arts, especially in poetry.


NILAVRONILL: Do you believe creative souls flourish more in turmoil than in peace?


ROMANESCU SALOMEEA: Yes, I believe that creative souls flourish more in turmoil than in peace but the peace, balance is the aim of the all creation! bore all these ordeals and calamities in order that our hearts might become enkindled and radiant, our spirits be glorified, our faults become virtues, our ignorance be transformed into knowledge; in order that we might attain the real fruits of humanity and acquire heavenly graces; in order that, although pilgrims upon earth, we should travel the road of the heavenly Kingdom, and, although needy and poor, we might receive the treasures of eternal life, said Baha Ulah.



NILAVRONILL: Do you think in this age of information and technology the dimensions of literature have been largely extended beyond our preconceived ideas about literature in general?


ROMANESCU SALOMEEA: Yes, I agree with this idea that in this age of information and technology the dimensions of literature have been largely extended beyond our preconceived ideas about literature in general.  Integrated Ideas circulate freely changing the preconceive ideas. The decline of metaphor, keeps its high-pamphleteering signs in today's lyric, understood more and more as a space of all "possibilities". The greatest risks in the process of revitalizing poetry are in the cultivation of ornaments, of exterior ornaments. With the illusion of revitalization, the poem is actually experiencing a moment of crisis. It has nothing to do with the metaphorical coherence of the poetic universe but exclusively with metaphor as an element of style. The delimitation is clear, between the metaphorical tone and the metaphor as "stylistic dominant", the theorist opts for the first element, the only one that can achieve the necessary coherence between the real data entered in the "superimposed reality", which is the poem. Poetry is a unique image, in which the stylistic elements can participate only by subordinating themselves to it.


NILAVRONILL: Now, in this changing scenario we would like to know from your own life experiences as a poet, writer and a creative soul: How do you respond to this present time?


ROMANESCU SALOMEEA: I dedicate all my creation to change the actual paradigm able to find the solution for Humanity problems. We need new integrative concepts, new institution and material capabilities to implement it. New integrative concepts like right to development, equity and equality de jure and de facto, humane global governance, humane security, sustainable humane development and sustainable peace on the Planet. European Union could be a new institution able to bring material capabilities to achieve Humane sustainable development. A world constitution is a priority which could modulate the budget from Military to a new Marshall World Plan.



NILAVRONILL: Do you believe that all writers are by and large the product of their nationality? And is this an incentive for or an obstacle against becoming a truly international writer?


ROMANESCU SALOMEEA: As an Indian I believe that in our cycle of life we pass on all races of the planet and this is encrypted in our ARN and DNA. So each nationality contribute to becoming a truly international writer, a man of the world. Mankind is but one country and we are the world citizens. Humanity is like a garden with many flowers.


NILAVRONILL: Now, if we try to understand the tradition and modernism, do you think literature can play a pivotal role in it? If so, how? Again, how can an individual writer relate himself or herself to the tradition and to modernism?


ROMANESCU SALOMEEA: Tradition is in our blood, in our DNA and ARN. We need to travel in our interior to find it and use it for the creation of spiritual solutions for modern life problems in my case. Tradition helps a writer to understand the creation, the universe to understand that he is a small universe part of a small unions on Earth.



NILAVRONILL: Do you think literary criticism has much to do with the development of a poet and the true understanding of his or her poetry?


ROMANESCU SALOMEEA: No, a genius does not need it. The value of his creation from the soul to the souls and his message, it will be in a sustainable way appreciated, in time and space.



NILAVRONILL: Do you think society as a whole is the key factor in shaping you up as a poet, or your poetry altogether?


ROMANESCU SALOMEEA:  The Soul of Poetry with noble mission to unite in one soul  the Humanity and also the soul of the society as a whole are key factors in shaping me up as a poet activist proposing a new project by shifting from a paternalistic policy paradigm of “embedded neo-liberalism” towards a new and more enlightened policy paradigm towards integration, in the frame of a comprehensive humane security concept in Europe and humane governance, from a feminine perspective, by adapting the emergent geo-governance to the realization of human rights.



NILAVRONILL: Do you think people in general actually bother about literature?  Do you think this consumerist world is turning the average man away from serious literature?


ROMANESCU SALOMEEA: I think that this consumerist world is turning the average man away from serious literature. So we need to escape from consumerism born by ideology and economic system. What is important to notice is that the states become “a transmission belt” from the global level to the national economy level, “undermining the sovereignty and autonomy in all aspects of security”. This phenomenon “can be called internationalizing of the state”, according to Robert Cox.This phenomenon created the so-called “social fracture”, engine of the conflicts of globalisation. For all the progress in the construction of the new identity of European Union, the European Civil Society (resistance against the coercive European Political Society) cannot accept “the embedded neo-liberalism” (the EU’s actual hegemonic Project) without finding real solutions for so-called “social fracture” of globalisation and this represents a big threat to the soft security model of Europe.

          We need to find ways to awaken the consciousness, to give life to our creation from the soul to the soul of Humanity.


NILAVRONILL: We would like to know the factors and the peoples who have influenced you immensely in the growing phase of your literary life.


ROMANESCU SALOMEEA: My heredity, environment and education leaving in a mixt family, baha'i from mother side and orthodox from my father gifted poet and a priest, my education by genial professors mentoring me for masters and PhD in the History of International Relations and European Integration. Also my baha'i Faith and Science of the sould Plasma science studies which unifies theology and science.



NILAVRONILL: How would you this consumerist world is turning the average man away from serious literature u evaluate your contemporaries and what are your aspirations for or expectation from the younger generation?


ROMANESCU SALOMEEA: The imbalance of the poem's autonomy, when the metaphor is dominant, becoming exclusively a stylistic element. Exceeding its strict functionality, leaving the "metaphorical tone" of the poem, it leads to an exacerbation of detail, which means sterile ornament or "spiritual ability". Historically, a constant ripple can be detected; the epochs of great inventiveness know a decline of the metaphor, while the twilight ones, of refinement, an apogee of it. The other motive of the controversy lies in the categorical rejection of the experiment. By extension, in the rejection of literalism, of the autonomy of language, as it was understood by Hugo Friedrich, for whom metaphor represents the fundamental status of modern lyricism. Metaphor becomes the most prolific stylistic means of the unlimited fantasy of modern poetry. It has always served the poetic transformation of the world. The modern metaphor is not born of the need to reduce the unknown to the known. It makes the great leap from the heterogeneity of its parts to a unity that is only possible in the linguistic experiment; and in doing so, it tends to a heterogeneity as extreme as possible, of which it is aware and at the same time annuls it poetically. I have pointed out two elements; metaphor as a means and necessity of linguistic experiment. Sometimes we accept metaphor as an intermediate of poetic relations, but we refuse to believe in the need to jump into experimentation. We often give it at most one rhythmic function; I think that, in the structure of the verses, the metaphor will reserve another function, concealing its specific physiognomy in the flow of language on a counterpoint basis and becoming an element of the inner rhythm, in the sense of organizing the chain mutations that creation implies. The decline of metaphor pleads against formalisms and literalism. Between mimesis and literalism, he opts for expressiveness and the existential meaning of poetry. That is why we see an extremely current polemical function. The vital coordinates of our democratic lyricism are expressiveness and existentialism. The adventure of literalism cannot be organic in a literature that must fulfil its destiny beyond plays and lush artifice. Romanian poetry seeks those forms that engage the reader before provoking and challenging him. Moreover, they try to approach it through almost "popular" or, in any case, direct formulas. Obviously, it is not a question of trivializing poetry, but of finding some "colloquial" solutions. In our country, experiments follow a reverse path than in other countries. Our poetry has a different movement in relation to that of other countries, so that the ambiguities of the syntax become in the Romanian poem signs of mannerism. They do not integrate into the organic evolution of lyricism, they do not substantiate an existential status. Are we not at a time when we must think of the DECLINE OF METAPHOR?. I believe in the need to update the exemplary way in which this issue becomes a consumable substance.



NILAVRONILL: Humanity has suffered immensely in the past, and is still suffering around the world. We all know it well. But are you hopeful about our future?


ROMANESCU SALOMEEA: My question is: could younger generation, as social power participate in the potential anti-hegemonic Project of European Civil Society (in neo-Gramscian terms), able to face the hegemonic project of European Political Society, “embedded neo-liberalism”? The answer is positive because this Civil Society is well organised, it is ripe to understand their social situation and the possibilities to change it in alliance with other transnational forces of Social and Christian Democracy from Europe.


The first step of humanity to transfer the power to make decisions for our individual and collective life from the hands of completely incompetent politicians into the hands of scientists and spiritual ethical artists. This will put an end to the 8000-year-old era of man's domination! Instead, we will all lead our lives as free people responsible for the well-being of all. Secondly it is compulsory to present the issues from a feminine perspective: new paradigm of Humane Security taking into account the ignored types of threats, the opportunity of Cooperative relationship instead of Competitive relationship for overcoming the main common challenges of all actors involved on European, humane governance for sustainable development. We assume that if we would like to find solution in the real life we have to find solution also at the theoretical level, taking into account the power of ideas for change. We need a new theory of integration as a useful instrument for generating alternative models of governance adequate to the reality of European Integration. We need new theory because the old ones are limited and are not able to explain the reality.


Despite the continuing domination of states, multinational corporations, non-governmental organisations, intergovernmental organisations and supranational institutions such as the EU share the stage of global politics affected by economic and political development combined with technological changes. The inability for governments to manage problems arising from trans-border transactions requires co-operation even at the cost of losing autonomy.


Thirdly a new Faith with new, progressive principles: the independent investigation of truth, the essential unity of all religions and philosophies, the oneness of the Creator and his creation, the establishment of a world parliament and world peace, the equality of men and women, the agreement of science and religion. Baha’is believe that one God has given humanity one continuous Faith. Like teachers in a school, the founders of the world’s great Faiths progressively reveal the knowledge and insight humanity needs to keep learning, progressing and moving forward. This simple and yet profound way to look at religion means Baha’is accept all of the major Faiths as legitimate and true. Religion is one, Baha’u’llah taught, revealed over the course of time by one loving God through a series of Divine Educators. As you might expect, Baha’is come from Christian, Muslim, Jewish, Buddhist, Hindu and all other religious traditions; and Baha’is also come from agnostic and atheist and spiritual backgrounds, as well. Becoming a bahai means embracing the one Faith that does not reject other Faiths. In the house of adoration, Lotus Temple for example to teach physics and medicine and other integrated sciences. Baha’u’llah’s teachings emphasize peace, unity and harmony among all people. They have inspired millions around the world, and the Faith that Baha’u’llah revealed so long ago has joined the pantheon of the world’s major Faiths, as a result.



NILAVRONILL: What role can literature in general play to bring a better day for every human being?


ROMANESCU SALOMEEA: To make us a better human beings literature plays a great role. If one aspect of our life is science and technology, then the other aspect which is more important is human relationships. Earth is sick, therefore Literature must save it by happiness and catharsis.



ROMANESCU SALOMEEA: She holds a PhD in the History of International Relations and European Integration - European Integration of Central and Eastern European Countries and Postgraduate European Studies - Center International pour la Formation Europeenne - International Center for European Training (CIFE), Nice, France and Department of Political Science and European Affairs, University of Cologne, Germany. He has a European Master in Human Rights and Democratization - Human Rights and the Democratization Process. University of Padua. He is interested in Conflict Resolution and Peacebuilding for Representatives of Minorities and Indigenous Peoples, UNITER Geneva, - UN, Landegg Academy, Switzerland, Studied 24 foreign languages ​​including Sanskrit and Hindi - through studies at the National Institute of Languages and Oriental Civilizations, France,University of Bucharest.She is interested in creating a new integrative theory of knowledge that brings together the natural, social, applied sciences, worldview and ethics that will lead to the creation of an international system that will create peace through literary work dedicated to the theory of everything but also through thesis of Postgraduate Academic Studies in International Relations and European Integration, National School of Political and Administrative Studies, Bucharest and studies of spirituality and quantum medicine, in the training of the leaders of the world spiritual-informational elite, cosmomanism, cosmology, history of religions. His theory is applied in his poetic work but also in his profession of Business Advisor, Coordinator Training Cycle and training of trainers in the field of management of structural instruments and European affairs, Ministry of Public Finance, Ministry of European Integration. He was a School inspector, Ministry of National Education. She has published Poems for children - Poems for children, philosophical poetry in numerous Anthologies with philosophical poetry awarded first place nationally and internationally. The poem of the healing of humanity encrypts the Theory of Everything capable of secreting a peaceful, integrated societal model of earthly soul happiness.


No comments :

Post a Comment