DON EDWARDS
Foxfire
I was there when
the forest floor glowed like vigor —
Its brilliance a
mystic change from dull to bright —
A chance
discovery where no thing was altered but all was born in light —
Not a moon’s
reflected glow but a spark emanating from within —
A cool but
constant effulgence that turned the mundane to delight.
I can’t forget
the angelic brightness within the night’s dark curtained scene.
Green eyes
blazing as forest floor cast shadows into the gloom,
The untouchable
thing that turns the unnoticed to fascinating and unique —
A new thing not
to be ignored full of a timely brief magic
That is freely
given — then as quickly removed.
To have that yet
again would be my greatest thrill.
But then this
life ends — Its attraction disappears.
The darkness
resumes as the excitement clears.
All fades along
with the glow — Its fire extinguished —
Its life complete
although the bodies remain.
The daylight
replaces the mystic spark, overpowers the delicate incandescent blush.
Like life itself,
special and delicate and brief only there for a moment then cooled and dark,
Gone as a memory with nostalgic longing — Fairies luminescence — A cool and
fiery bliss no more.
Joshua Tree
It’s the silence
at first that declares the indifference of the place
Without sirens,
absent cell phones — no music or lawnmowers.
Then a sudden
blur of light coats all in its orange obsession.
The panorama is
immobile colored sequential by the surrounding air.
Life is there — little
life — lizards, cottontails.
These skitter and
hop across the surface and through the enveloping quiet
Each absorbing
the character of sand and the portent of dusty scrub
Which, arid and
empty of emotion, awaits the moment to strike.
With boulders
scattered across its gritty girth, solid and smooth,
An old man’s
worried pate rises from the sandy depth
A sunning place
for lizards, radiating the energy of the place
A sandy dome in a
hot quiet world of suspect peace.
Here is empty and
independent of thought or concern
Nearer to the
stars than the moon is, closer to the end than a last breath.
Each step is laid
careful — thoughtful and precise
Since the threat
is real of an insubstantial, unctuous, and omnipresent maw.
One must pass
through the gate with coin in hand — one final requirement
No line no
waiting, no one else to ride, no others but rocks airless and hot.
We are desert
sand tinted by the light of our environs
Anomalous in
puddles that evaporate with each day, leaving desiccated veins shrunken and
splayed.
Sandy domes piled
high become mountains of random skulls hard and dry.
These beckon the
newly arrived to lounge in their minimal shade for awhile
Until the world
is familiar and the light less dramatic
Until this world which is the end startles less and becomes familiar.
It’s The End
We woke up in the
garden in a world made just for us
It lay to the
horizon and ran smooth without a fuss
Then we broke a
rule ‘bout eating, never thinking it was much
But when we
covered up our privates there was nothing to discuss
It’s the end
It’s the end oh
my friend
It’s the end oh
my friend
It’s the end of
the story and the time to leave is now
It’s the end oh
my friend
The bearded man
built a boat to haul us all away
But we thought
that he was looney so we told him we would stay
Then it started
raining — bringing floods and winds and such
And we watched
the boat sail out of sight with nothing more to say
It’s the end
It’s the end oh
my friend
It’s the end oh
my friend
It’s the end of
the story and the time to leave is now
It’s the end oh my friend
Another came to
save us but we thought we were all right
He promised love
and brightness to take away the night
We thought he
wasn’t tough enough — we want a stronger touch
Then he went upon
his skyward way and left us to our fright
It’s the end
It’s the end oh
my friend
It’s the end oh
my friend
It’s the end of
the story and the time to leave is now
It’s the end oh
my friend
It’s the end of
the story and it’s time to move along
Everybody’s got
an itch to scratch — a choice of right or wrong
Sometimes it’s
hard to know exactly what to do
That’s the
purpose of the verses and the moral of the song.
It’s the end
It’s the end oh
my friend
It’s the end oh
my friend
It’s the end of
the story and the time to leave is now
It’s the end oh
my friend
An Empty Page
Is A Scary Thing
An empty page is
a scary thing like a bright light in an empty room
Which casts upon
nothing where something would help define the place.
But here is the
white blank space of the unknown and the yet to come.
Then the stark
black type slowly spreading across its face
Begins to bring a
thing which then defines and limits all abilities
And as such gives
it form removing all other possibilities —
This is the
beauty and the horror of it —
Where nothing is
infinite something is most definite.
What is not can
be anything perhaps something to love.
Once it is,
opinions enter and try to decide its worth.
Unlikely it is to
deserve praise as if it dropped from heaven above
Its angles will
likely be compared to previous designs from out the earth.
Once begun each
stroke removes a world of choices
Limiting what
becomes to be decided by human voices.
On That Day
On that day, just
drag me out by the ankles
And leave me by
the street with the stripped down Christmas trees
And the soiled
ratty sofas with exploded cushions like shotgun wounds.
DON EDWARDS
DON EDWARDS’ poems generally consider the topics of Love and Death, which is all that matters. He is also the founding member of True Gospel Bookstore which records his poems as songs. (There is no bookstore.) These songs can be heard on all streaming services. Also, he has recorded some poems for the True Gospel Bookstore website. If you would like to hear them, go to the “Book of Poems” page at www.truegospelbookstore.com. Mr Edwards lives in Los Angeles.
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