PAVOL JANIK
I’m With You
It’s
completely me –
height
180 centimetres,
measurements
108 by 83 by 107,
weight
73 kilos,
five
military qualifications
and
even more civilian,
brown
hair, green eyes,
born
on the occasion
of the
Hungarian Uprising,
bashful
and christened,
married
with three children.
I
don’t beat out a rhythm in English,
but
I’m of the world.
Send
me fan mail,
postcards
and gifts,
books
and pictures,
busts
and bacon,
booze
and flowers.
Support
your poet
who,
instead of you, behaves
like
an idiot.
Write
to my European address –
Slovakia.
Call
me,
all of
you, who love me,
who
can’t live without me,
or
least die.
Call
the number 314 212,
my
automatic telephone
will
pick up 24 hours a day.
Don’t
be ashamed of your feelings.
God is
watching you –
at
last do something stupid.
Send
some dosh to my account
SSS
3478228.
Remit
to my pristine account
your
dirty money,
I’ll
launder it day and night.
You
can rely on me
to
spend it all on myself
as
opposed to other
charitable
institutions,
christmas
clubs and other swindles.
I’m
waiting for your letters,
spiritual
outpourings
and
filthy lucre.
I know
that
all
the
better sort of people are shocked
that
the worse have not improved.
They
can go
and
get stuffed.
Ode To Joy
Where
are those old poems?
What
were they actually about?
And
who gave a tinker’s about them.
Somewhere
in us
something
from them has remained,
a
charge timed in Nuremburg,
a
Frankfurt porn cinema,
a
coca-cola opposite the Moulin Rouge,
Lenin
inside a Marseille shop window,
a
faded postcard of the Cote d’Azur,
documents
stolen in Rome,
undeveloped
photos
of the
leaning tower of Pisa,
a
night in Florence,
Bolognese
poofs,
pigeons
at six in the morning
on
Saint Mark’s Square,
an
over made-up customs girl
on the
train from Vienna
to
Devinska Nova Ves.
Where
are those old poems?
Now
nobody will write them any more.
They
never made sense to anybody.
They’ve
suddenly switched off the power in Europe.
A
darkness has started, that which
existed
before the invention of light.
We
walk on the ceiling of our flat
from
memory.
Children
laugh at us in their sleep.
At the
entrance to nowhere
they’ll
return us the entrance fee
to
life,
which
was worth it
even
though not so much.
Only
for death you don’t pay.
Unsent Telegram
Inside
me a little bit of
a blue
Christmas begins.
In the
hotel room it’s snowing
a
misty scent – of your
endlessly
distant perfume.
We’re
declining bodily
while
in us the price
of
night calls rises,
waves
of private earth tremors
and
the limits of an ocean of blood
on the
curve of a lonely coast.
PAVOL JANIK
Mgr.
art. PAVOL JANIK, PhD., (magister artis et philosophiae doctor) was born
in 1956 in Bratislava, where he also studied film and television dramaturgy and
scriptwriting at the Drama Faculty of the Academy of Performing Arts (VSMU). He
has worked at the Ministry of Culture (1983–1987), in the media and in
advertising. President of the Slovak Writers’ Society (2003–2007),
Secretary-General of the Slovak Writers’ Society (1998–2003, 2007–2013),
Editor-in-Chief of the Slovak literary weekly Literarny tyzdennik (2010–2013).
Honorary Member of the Union of Czech Writers (from 2000), Member of the
Editorial Board of the weekly of the UCW Obrys-Kmen (2004–2014), Member of the
Editorial Board of the weekly of the UCW Literatura – Umeni – Kultura (from
2014). Member of the Writers Club International (from 2004). Member of the
Poetas del Mundo (from 2015). Member of the World Poets Society (from 2016).
Director of the Writers Capital International Foundation for Slovakia and the
Czech Republic (2016–2017). Chief Representative of the World Nation Writers’
Union in Slovakia (from 2016). Ambassador of the Worldwide Peace Organization
(Organizacion Para la Paz Mundial) in Slovakia (from 2018). Member of the Board
of the International Writers Association (IWA BOGDANI) (from 2019). He has
received a number of awards for his literary and advertising work both in his
own country and abroad. This virtuoso of Slovak literature, Pavol Janik, is a
poet, dramatist, prose writer, translator, publicist and copywriter. His
literary activities focus mainly on poetry. Even his first book of poems
Unconfirmed Reports (1981) attracted the attention of the leading authorities
in Slovak literary circles. He presented himself as a plain-spoken poet with a
spontaneous manner of poetic expression and an inclination for irony directed
not only at others, but also at himself. This style has become typical of all
his work, which in spite of its critical character has also acquired a
humorous, even bizarre dimension. His manner of expression is becoming terse to
the point of being aphoristic. It is thus perfectly natural that Pavol Janik's
literary interests should come to embrace aphorisms founded on a shift of
meaning in the form of puns. In his work he is gradually raising some very
disturbing questions and pointing to serious problems concerning the further
development of humankind, while all the time widening his range of themes and
styles. Literary experts liken Janik's poetic virtuosity to that in the work of
Miroslav Valek, while in the opinion of the Russian poet, translator and
literary critic, Natalia Shvedova, Valek is more profound and Janik more
inventive. He has translated in poetic form several collections of poetry and
written works of drama with elements of the style of the Theatre of the Absurd.
Pavol Janik’s literary works have been published not only in Slovakia, but also
in Albania, Argentina, Bangladesh, Belarus, Belgium, Bosnia and Herzegovina,
Bulgaria, Canada, Chile, Croatia, the Czech Republic, France, Germany, Hungary,
India, Israel, Italy, Jordan, Kosovo, Macedonia, Mexico, Moldova, Nepal,
Pakistan, Poland, the People's Republic
of China, the Republic of China (Taiwan), Romania, the Russian Federation,
Serbia, South Korea, Spain, Syria, Turkey, Ukraine, United Kingdom, the United
States of America and Venezuela.
amazing...contemporary...punctual!
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