SANTOSH BAKAYA
YET AGAIN
The chalk marks of the seven year
old remain
In funereal hues, highlighting the
spot
where the small figure lay face
down;
A month has passed, since she
screamed in pain
Ravaged; savaged by a civilized
society- so called.
The trees sing a dirge, absolutely
still
Sending a chill up our spines.
How can we purge
ourselves of this guilt?
The birds dumbfounded, hide in the
trees
Choking on those juvenile notes,
lost somewhere in the wilderness.
‘Murder most foul’, shrieks the
air.
A deed so cruel, so unfair!
Despair fills the dead child’s
home.
The leaves droop
as Hope troops out
shoulders stooped.
In the sky, a morose rainbow
evanesces into nothingness.
NIGHTMARES
Straining my eyes hard, I try to
pierce the cellar- like gloom.
Throat painfully dry, and lips
parched; dismal is my room.
Did I see some lights? Did I?
Would our boat be able to slip
through the rocks
without getting wedged in them?
Glassy cold eyes stare; glare hard.
Everyone cowering and crouching in
dread.
Like scalded cats, scuttling
around.
What is that sound? A death rattle? Or the rumbling of cattle?
An awful suspense follows. No cease
fire in this insane battle?
Why does that man look like a bull,
knocked on the head with a hammer?
“Wha…a..t is wrong? ”, I stammer.
“Oh, the same thing ; he just lost a child.”
All of us duck, clutching each
other
as though dodging a pebble
trying to graze our skulls.
Hush, there is a low treble.
Seconds seem agonizing hours. Hours
follow hours.
Where are the stars?
An ice cold needle plunges into my
spine,
a masked man lunges towards me, and
darkness follows.
Dismal and dreary.
THE DEATH RATTLE
Ah, morning sings outside my room.
My ears prick up; my mind’s eye
shows me
picturesque banks, soaring
swallows, warbling larks,
and serenely grazing cattle.
But why the death rattle?
A merry echo in the woods
every leaf palpitating for sheer
joy.
Oh boy! The river is a mirror of
flaming sunshine.
The leaves whisper- tattle –
tittle, tittle- tattle
But why the death rattle?
Ah, I see a hunched five year old
Eye wide, cowering in fear,
body twitching , jerking in spasms
Eyes fixed on a tiny blue shroud,
wondering why his two month old brother sleeps inside .
His eyes refuse to leave the shroud.
The crowd glances in the direction,
as though
in a somnambulistic trance;
lo and behold!
There is a noise loud
Boom Boom Boooooom!
Nature shudders at this collective
murder.
The shelling goes on.
Holding a nebulizer to its mouth
and nose,
humanity struggles for breath.
Death waits in the shadows,
smirking.
The fire does not cease, only
increases
every moment.
A little distance away,
a mother tightly clasps her child
to her breast,
who bursts into untroubled chortles.
She sweeps the rubble of last
night’s shelling.
Bottles the rancid grief in her
bruised tins.
Wipes her tears, swipes away the
anguish,
gets on with the business of
surviving
[or, maybe dying another day].
The mongrel outside her makeshift
lodging
whelps with a proprietorial air
Its barks merging with the sounds
of shelling.
The sun is up and about; it is
morning finally.
There is something all golden, in
the reflected sunbeams
ah, an insect caught in a web.
The nightmare continues.
SANTOSH
BAKAYA
Dr SANTOSH BAKAYA , academician- essayist - novelist
- poet , is the internationally acclaimed writer of BALLAD OF BAPU, a poetic
biography of Mahatma Gandhi , the first of its kind in the world . Winner of
the International Reuel Award for writing and literature [2014] for her long poem Oh Hark !, Universal
Inspirational Poet Award , [Pentasi B
friendship poetry and Ghana Government
2016 ]; Poet Laureate Award [
Poetry Society of India , 2017] Bharat Nirman Award for literary excellence [
2017 ] Her other books are WHERE ARE THE LILACS ? UNDER THE APPLE BOUGHS AND FLIGHTS FROM MY
TERRACE . She recently delivered a TED
TALK on the MYTH OF WRITERS' BLOCK .
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