ANNAPURNA SHARMA
Alaknanda
It was in Jan,
I first heard her
name –
Alaknanda –
a hypothesis –
Alak plus Nanda.
How enchanting –
my Pierian Spring!
A phenomenon of
refraction,
blue-green wavy
streams of charm.
Flawless.
Faultless. Ceaseless. Seamless.
Her intention as
divine as the azure skies –
meeting her
siblings – Nandakini, Pindar, Mandakini and Bhagirathi,
prior to plunging
deep in her mortal duties as Ganga.
It was then that
I imprisoned her crystal form –
in a wee plastic
bottle.
By Feb she was
all messed up –
turning grey and
then muddy.
It was tricky to
sieve sand or pick rocks from her bosom.
I was concerned
only about my rhyme,
which would turn
turbid,
if she didn’t
stop being wild,
didn’t cease to
gather loose gravel.
A fledgling
insolent was I –
didn’t perceive
her silvery ache,
when shoals of
fish lined the fringes of her womb.
Natives scooped
them in dozens,
in baskets, pots
and pans.
My prosody lay
stranded on a torn net.
I couldn’t
decipher the anomaly –
carps and trouts
singing an elegy,
in bizarre tones
and tunes.
She’s frangible.
My cacophonous
judgments,
ruined her
sensors,
sending her into
a shock.
My shallow wish
waters buried in her frozen lakes.
Why blame her –
she was/is primitive,
descending
pristinely from heaven,
a perennial
source of love.
It was I who
penned an antithesis.
POTATOES, RICE
& PONIES
Shoulders back,
stomach in, heels down…
Smiling with
deference, I imagined I was bolder than him.
My first pony
ride,
my expectations
were a darker brown.
Clueless about
the perils ahead,
I haughtily
demanded a pony with a lighter skin shade.
It’s a
challenging trek with rude steeps and turns…
Now, he was
acting differential.
My poems were
crammed with mockery.
The alluring
surroundings: wild flowers,
untamed streams
and unrehearsed bird songs,
kneaded my ego.
Blends of colors
and tunes filled my eyes and ears.
He was leading
the pony –
up and up we
went,
the hot spring
was my destiny.
To fill gaps of
silence,
I read aloud from
my pot of poetry.
His rustic smile
made me a silly goose.
I rewrote my
lines - you do this every day?
He rephrased:
even when water falls,
as precipitation
from the iced skies,
I live here.
I was
experiencing a poet’s block:
my visions of
mountains wrapped in blizzard,
not a soul
around,
except for me,
him and the pony.
I looked up at
him for survival strategies,
what you eat, I
asked?
His frame was
simpler than my tactics –
potatoes and
rice.
From where?
I store them in
sacks.
What about the
pony?
He’s my yaara…he
trailed off to another planet.
My heroism was
insignificant, when he asked,
how can I leave?
She’s my Mother.
I was born in her
bosom,
I played in her
palms,
I learnt to talk
with her,
walked on her
toes…
What bonding?
Mothers down the
plains are not as fortunate as her.
Love is
non-perishable,
can’t we store it
in rucksacks for harsher seasons?
Mountains do have
a heart like human mothers.
They protect
their children.
His verses were
unconditional,
only if we cared
(he added).
I No Longer
Write Poems
I no longer write
poems,
those subtle
lines are embedded within me.
Like the
petrichor in mud,
some in the
heart, some in the head,
a few hovering
around me.
Some tease me by
slithering down my hands.
One or two
threaten me, trying to slip into the ink.
I look unperturbed,
they are fragile;
they know they belong to me.
Yet I want them
to manifest and proclaim
but they refuse
and withdraw.
They come back
perching on my shoulders,
like the gun
pointing to the old man,
his dirty hands
playing truant with the five year old.
Like an unending
river trying to wash away the sins
of mankind, when
the mother wept ceaselessly
at the loss of
her young son.
Like the wild
Myrtle, smiles and cheers of a teenager
who know not how
the world operates.
In a lilting
lilac tone,
each night
several stories unfold –
of the sun
rotating around the earth
and the earth
around the moon.
What if I lived
on Pluto...
I am deluged with
all these lines
I feel full and
unconditional,
after all I am a
poet from inside-out.
The Missing
Link
I was sure of my
itinerary,
I was inclined to
visit her.
It’s a long-long
drive in rough terrain, they warned.
I ranted I was
stronger than iron.
I began my
journey at Brahma muhurtha –
at the divine
hour to see divinity,
wearing my pride
on my sleeves.
I heard tales of
her –
her magnificence,
her holiness and
unspoiled nature.
I was excited.
She’s gifted and
shrewd –
will test me,
they said.
The drive was
physically daunting,
the roads wound
around my intestines, I puked all the way.
Stopping by lucid
streams, crossing my path,
for a cool
sip.
We were six in a
car,
from a 70-year
old to a 5-year old,
twisting and
turning in the lap of the mountains.
Their enormity
was menacing.
What if they
collapsed on us?
I sat upright
while others slept,
watching the car
as tiny as an ant moving with speed,
mountains on one
side,
and a valley of
void on the other.
We came across
villages with a handful of houses,
lasses filling
their pots with water from brooks,
quadrilateral
patches of rice fields –
scenes that can’t
be replicated elsewhere.
We reached her
point of origin,
only to be told
she’s a dupe.
The real one is
hidden high up in the mountains,
in unfriendly
terrain,
where mortals
can’t venture.
She’s black,
and could cook
pots of rice in her hot bosom,
where she emerged
from the navel of her mother.
She slid down the
hills in icy waves.
My hands numbed
at her frozenness.
It was a sin to
capture her,
in my bottle of
ink.
The journey back
home was dark.
We were informed
of the unexpected landslides,
in her untamed
territory.
We were but
humans,
our intentions
machine-like,
we paid no heed
to the locals.
It was nearing
midnight
The car snaking
in the mountains was frightful,
I sat upright
again – watching –
towering
mountains on one side,
and a yawning
valley on the other.
To add to the
fright was her resonance,
she was flowing
alongside us,
her guttural
omnipresence.
The only solace
was the moon: shining brightly,
while we lay in
sheer darkness.
Her test did not
end there –
the boulders did
fall –
a few yards away
from the vehicle.
Was it a
miraculous escape?
Couldn’t go back
to the nearby village for the night,
because rocks
were strewn behind our backs too.
Trapped were we
between two landslides.
What if there was
another slip –
a volley of
pebbles on our vehicle.
What a deadly
thought?
Should have
listened to the natives,
who knew her
better than us.
Counting numbers
was the game we played to escape human congestion.
At times we stood
at the edge, staring at the unending gorge,
and listening to
her inimitable echoes.
She’s powerful –
she can shift lands.
What if she roars
and swallows us up,
I had goosebumps
all over my hands.
I was at her
behest –
helpless and
hopeful.
In the end she
relented.
A JCB arrived – a
miracle at midnight –
To clear the
debris and make way for us.
We drove faster
and faster.
Farther away from
her,
into the human
fold,
forgetting she
was close behind…
Rumi was accurate
–
Lovers don’t
finally meet somewhere.
They are in each
other all along.
ANNAPURNA
SHARMA
ANNAPURNA SHARMA is a nutritionist by profession, but a
writer at heart, her maiden book of poems, Melodic Melange was awarded for
excellence, 2019 (Pulitzer Books). Her poem was shortlisted for All India
Poetry Competition, 2017 conducted by The Poetry Society of India. She is
Deputy Chief Editor of Muse India (www.museindia.com) and writes the column
Life & Literature. She curated a mega Feature ‘Love in the Pandemic’,
exploring life in the Pandemic through articles, conversations, real life
stories, poems, fictional stories and book reviews, with more than 50 writers
and psychologists from different parts of India and the world, for the Dec 2020
issue of Muse India. Her works are forthcoming, or have appeared, in Westward
Quarterly, The Punch Magazine, Mad Swirl, Spark, Destine Literare, Reader’s
Digest, Women’s Era, Assam Tribune, Active Muse among others. Her creativity is
a mix of sweet of Bengal and spice of Andhra, places where she was brought up
and presently lives.
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